Art Theory & Criticism

Hungry Listening: Resonant Theory for Indigenous Sound Studies

Becoming Mary Sully: Toward an American Indian Abstract

Speculative Relations: Indigenous Worlding and Repair

Earthworks Rising: Mound Building in Native Literature and Arts

Making History: IAIA Museum of Contemporary Native Arts

Staging Indigeneity: Salvage Tourism and the Performance of Native American History

Visualizing Genocide: Indigenous Interventions in Art, Archives, and Museums

Knowing Native Arts

Boundless: Native American Abundance in Art and Literature

Fragments of Truth: Residential Schools and the Challenge of Reconciliation in Canada

Ledger Narratives: The Plains Indian Drawings in the Mark Lansburgh Collection at Dartmouth College

Dreaming in Indian: Contemporary Native American Voices

Redface: Race, Performance, and Indigeneity

Against Extraction: Indigenous Modernism in the Twin Cities

Indigenous Inhumanities: California Indian Studies After the Apocalypse

Red Skin Dreams: Twenty Years of Curating Indigenous Art at the Venice Biennale

Dancing Indigenous Worlds: Choreographies of Relation

Dreaming in Indian: Contemporary Native American Voices

Painting Native America: Indigenous Artists in the Twentieth Century

Colonized Through Art: American Indian Schools and Art Education, 1889-1915

We Interrupt This Program: Indigenous Media Tactics in Canadian Culture

Conversations: Eiteljorg Contemporary Art Fellowship, 2015