Art Theory & Criticism

Hungry Listening: Resonant Theory for Indigenous Sound Studies

Earthworks Rising: Mound Building in Native Literature and Arts

Making History: IAIA Museum of Contemporary Native Arts

Staging Indigeneity: Salvage Tourism and the Performance of Native American History

Becoming Mary Sully: Toward an American Indian Abstract

Visualizing Genocide: Indigenous Interventions in Art, Archives, and Museums

Fragments of Truth: Residential Schools and the Challenge of Reconciliation in Canada

Painful Beauty: Tlingit Women, Beadwork, and the Art of Resilience

Visualities 2: More Perspectives on Contemporary American Indian Film and Art

Knowing Native Arts

Visualities: Perspectives on Contemporary American Indian Film and Art

Mediating Indianness

Dreaming in Indian: Contemporary Native American Voices

Dreaming in Indian: Contemporary Native American Voices

Art in Our Lives: Native Women Artists in Dialogue

Dancing Indigenous Worlds: Choreographies of Relation

Unsettling Native Art Histories on the Northwest

Here, Now: Indigenous Arts of North America at the Denver Art Museum

Each/Other: Marie Watt and Cannupa Hanska Luger

We Interrupt This Program: Indigenous Media Tactics in Canadian Culture

Red: Eiteljorg Contemporary Art Fellowship

Picturing Worlds: Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature

No Deal!: Indigenous Arts and the Politics of Possession

Native Provenance: The Betrayal of Cultural Creativity

Ledger Narratives: The Plains Indian Drawings in the Mark Lansburgh Collection at Dartmouth College

Edgar Heap of Birds

Conversations: Eiteljorg Contemporary Art Fellowship, 2015